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Αποσπάσματα από το «Το κρίνο της κοιλάδας»

Σελίδες από το «Το κρίνο της κοιλάδας» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Η στιγμή που ένα αστέρι στον ουρανό σου γίνεται άνθρωπος.

A new soul, a soul with iridescent wings, had burst its chrysalis within me. My favorite star, dropping from the blue waste where I had admired it, had become woman, while preserving its light, its sparkle, and its brilliancy. Suddenly, knowing nothing of love, I had fallen in love. Is not this first irruption of the most intense feeling a man can know a very strange thing? I had met some pretty women in my aunt’s drawing-room; they had not made the slightest impression on me. Is there an hour, a conjunction of the stars, a combination of fitting circumstances, a particular woman above all other women, which seal a passion as exclusive at the age when passion includes the whole female sex?
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Το πρωινό που καταλαβαίνεις πως ο κόσμος είναι μικρότερος από τις προσδοκίες σου.

This is the outcome of the finest sentiments, the greatest dramas of youth. We all set forth one fine morning, as I had started from Tours for Clochegourde, annexing the world, our heart craving for love; then, when our treasure has been through the crucible, when we have mixed with men, and known events, it all seems unaccountably small, we find so little gold among the ashes. Such is life—life in its reality!—a great deal of aspiration, a small result.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Κάθε οικογένεια έχει μια πληγή που συμφώνησε να μην αναφέρει.

Though families bury duly their terrible quarrels, look into their life; you will find in almost every house some wide incurable wounds blighting natural feeling; or some genuine and pathetic passion which affinity of character makes eternal, and which gives an added shock to the hand of death, leaving a dark and ineradicable bruise; or again, simmering hatred, slowly petrifying the heart, and freezing up all tears at the moment of eternal parting.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Οι οικονομίες που χαρίζει μια γυναίκα και κανείς δεν υπολογίζει.

When she married, she had some savings, the little treasure which represents the happy hours, the thousand trifles a young wife may wish for; one day of dire need she had generously given the whole sum to her husband, not telling him that these were not gold pieces, but remembrances; he had never taken any account of it; he did not feel himself her debtor. Nor had she seen in return for her treasure, sunk in the sleeping waters of oblivion, the moistened eye which pays every debt, and is to a generous soul like a perpetual gem whose rays sparkle in the darkest day.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Δεν ξεσπούν όλοι οι έρωτες· κάποιοι γεμίζουν ήσυχα τον κρατήρα.

This is no romance, Natalie; none can discern the infinite depth of such feelings who have not in early life sounded the great lakes on whose shores we live. If to many souls the passions have been as lava-torrents flowing between parched banks, are there not others in which a passion subdued by insurmountable obstacles has filled the crater of the volcano with limpid waters?
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Ένα άγγιγμα στα μαλλιά της κι ύστερα το απέριττο δωμάτιο γεμίζει ποίηση.

When the convulsive attack was over, I smoothed her disordered hair—the first and only time I ever touched it—then again I held her hand, and sat a long time looking at the room—a brown-and-gray room, with a bed simply hung with cotton chintz, a table covered with an old-fashioned toilet set, a poor sofa with a stitched mattress. What poetry I found here! What indifference to personal luxury! Her only luxury was exquisite neatness. The noble cell of a married nun, stamped with holy resignation, where the only adornments were a crucifix by her bed, and over it the portrait of her aunt; then, on each side of the holy-water shell, sketches of her two children, done in pencil by herself, and locks of their hair when they were babies.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Ένας ήχος που ξαναφέρνει κάθε φορά μια τέλεια νύχτα.

This beautiful dream came to an end when, by the light of the moon, in the hot fragrant night, I again crossed the Indre amid the white visions that hung over the fields and shore and hills, hearing the thin, monotonous call on one note, melancholy and incessant, at equal intervals, uttered by some tree-frog of which I know not the scientific name, but which, since that fateful day, I never hear but with extreme delight.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Η μοναξιά του να κερδίζεις χωρίς κανέναν να χαρεί μαζί σου.

I used to sit under a tree reading the books given out to us once a month by the librarian. How much anguish lay hidden in the depths of this unnatural isolation, what misery this desertion caused me! Imagine what my tender soul must have felt when, at the first distribution of prizes, I was awarded the two most anxiously looked for—that for composition and that for translation! When I went up to the platform to receive them, in the midst of applause and cheers, I had neither father nor mother to rejoice with me, while the room was full of my comrades’ parents. Instead of kissing the visitor who distributed the prizes, as was usual, I threw myself on his breast and melted into tears. In the evening I burnt my laurel crowns in the stove.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Ο πόθος διχάζεται ανάμεσα στη σάρκα και το πνεύμα

You understand the problem now. Man is composed of matter and spirit. In him the animal nature culminates and the angel begins. Hence the conflict we all have felt between a future destiny of which we have presentiments, and the memories of our original instincts from which we are not wholly detached—the love of the flesh and the love that is divine. One man amalgamates the two in one; another abstains. This one seeks the whole sex through, to satisfy his anterior appetites; that one idealizes it in a single woman, who to him epitomizes the universe. Some hover undecided between the raptures of matter and those of the spirit; others spiritualize the flesh and ask of it what it can never give.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

Τι κάνεις με μια βραδιά που δεν περίμενες να ζήσεις.

As soon as I was certain of spending a whole evening under this roof, I felt as if eternity were mine. To many an unhappy wretch tomorrow is a word devoid of meaning, and at this moment I was one of those who have no belief in tomorrow; when I had a few hours to call my own, I crowded a lifetime of rapture into them.
— Το κρίνο της κοιλάδας, Honoré de Balzac (1836)

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