Αποσπάσματα από το «Η κυρία με το σκυλάκι και άλλα διηγήματα»

Δύο άνθρωποι σ’ ένα παγκάκι ακούν αυτό που θα τους ξεπεράσει.

At Oreanda they sat on a seat not far from the church, looked down at the sea, and were silent. Yalta was hardly visible through the morning mist; white clouds stood motionless on the mountain-tops. The leaves did not stir on the trees, grasshoppers chirruped, and the monotonous hollow sound of the sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection.

Το βράδυ που καταλαβαίνεις πως η κουβεντούλα είναι όλη σου η ζωή.

What savage manners, what people! What senseless nights, what uninteresting, uneventful days! The rage for card-playing, the gluttony, the drunkenness, the continual talk always about the same thing. Useless pursuits and conversations always about the same things absorb the better part of one’s time, the better part of one’s strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is no escaping or getting away from it—just as though one were in a madhouse or a prison.

Ένας πολιτισμός που μαζεύει τα σπασμένα γυαλιά αφήνει τα καλύτερα αισθήματά του να σαπίσουν.

Even useless rubbish is collected in the courtyards nowadays and used for some purpose, even broken glass is considered a useful commodity, but something so precious, so rare, as the love of a refined, young, intelligent, and good woman is utterly thrown away and wasted. One of the early sociologists regarded every evil passion as a force which might by judicious management be turned to good, while among us even a fine, noble passion springs up and dies away in impotence, turned to no account, misunderstood or vulgarised. Why is it?

Η θάλασσα ζητά πίσω τα νιάτα που της έδωσε.

The sunshine and the breeze from the sea caressed and fondled my sick body. I looked down at the familiar gondolas, which glide with feminine grace smoothly and majestically as though they were alive, and felt all the luxury of this original, fascinating civilisation. There was a smell of the sea. Some one was playing a stringed instrument and two voices were singing. How delightful it was! How unlike it was to that Petersburg night when the wet snow was falling and beating so rudely on our faces. If one looks straight across the canal, one sees the sea, and on the wide expanse towards the horizon the sun glittered on the water so dazzlingly that it hurt one’s eyes to look at it. My soul yearned towards that lovely sea, which was so akin to me and to which I had given up my youth.

Ένα διήγημα για τον παγερό χειμώνα διαβάζεται φωναχτά ένα βραδάκι με πασχαλιές.

Then they all sat down in the drawing-room with very serious faces, and Vera Iosifovna read her novel. It began like this: “The frost was intense....” The windows were wide open; from the kitchen came the clatter of knives and the smell of fried onions.... It was comfortable in the soft deep arm-chair; the lights had such a friendly twinkle in the twilight of the drawing-room, and at the moment on a summer evening when sounds of voices and laughter floated in from the street and whiffs of lilac from the yard, it was difficult to grasp that the frost was intense, and that the setting sun was lighting with its chilly rays a solitary wayfarer on the snowy plain.

Την αυγή, ένα σύγχρονο εργοστάσιο αρχίζει να μοιάζει προϊστορικό.

Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look—not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force....

Η σκληρή, σιωπηλή δουλειά του να στέκεσαι ακίνητος όσο οι άλλοι παίζουν.

The visitors usually arrived about ten o’clock. They played cards in Orlov’s study, and Polya and I handed them tea. It was only on these occasions that I could gauge the full sweetness of a flunkey’s life. Standing for four or five hours at the door, watching that no one’s glass should be empty, changing the ash-trays, running to the table to pick up the chalk or a card when it was dropped, and, above all, standing, waiting, being attentive without venturing to speak, to cough, to smile—is harder, I assure you, is harder than the hardest of field labour. I have stood on watch at sea for four hours at a stretch on stormy winter nights, and to my thinking it is an infinitely easier duty.

Γιατί οι τολμηροί και γεμάτοι πίστη στα είκοσι εξαντλούνται στα τριάντα πέντε.

"But this is the question," I went on. "Why are we worn out? Why are we, at first so passionate, so bold, so noble, and so full of faith, complete bankrupts at thirty or thirty-five? Why does one waste in consumption, another put a bullet through his brains, a third seeks forgetfulness in vodka and cards, while the fourth tries to stifle his fear and misery by cynically trampling underfoot the pure image of his fair youth? Why is it that, having once fallen, we do not try to rise up again, and, losing one thing, do not seek something else? Why is it?

Γιατί μια παγωμένη φλαμουριά μπορεί να σου είναι πιο κοντινή από κάθε φοίνικα.

At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one’s youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one’s heart than cypresses and palms, and near them one doesn’t want to be thinking of the sea and the mountains.

Ένας κήπος όπου κάθε δέντρο αναγκάζεται να γίνει κάτι άλλο.

Every sort of caprice, of elaborate monstrosity and mockery at Nature was here. There were espaliers of fruit-trees, a pear-tree in the shape of a pyramidal poplar, spherical oaks and lime-trees, an apple-tree in the shape of an umbrella, plum-trees trained into arches, crests, candelabra, and even into the number 1862—the year when Pesotsky first took up horticulture. One came across, too, lovely, graceful trees with strong, straight stems like palms, and it was only by looking intently that one could recognise these trees as gooseberries or currants. But what made the garden most cheerful and gave it a lively air, was the continual coming and going in it, from early morning till evening; people with wheelbarrows, shovels, and watering-cans swarmed round the trees and bushes, in the avenues and the flower-beds, like ants....