Αποσπάσματα από το «The House of Mirth»

Βλέπεις το δείπνο σου με τα μάτια ενός καλεσμένου και το μετανιώνεις.

That was the secret of his way of readjusting her vision. Lily, turning her eyes from him, found herself scanning her little world through his retina: it was as though the pink lamps had been shut off and the dusty daylight let in. She looked down the long table, studying its occupants one by one, from Gus Trenor, with his heavy carnivorous head sunk between his shoulders, as he preyed on a jellied plover, to his wife, at the opposite end of the long bank of orchids, suggestive, with her glaring good-looks, of a jeweller’s window lit by electricity. And between the two, what a long stretch of vacuity! How dreary and trivial these people were!

Κάποιοι ντύνονται για μια ζωή που δεν ξεκινούν ποτέ.

Mrs. Peniston was a small plump woman, with a colourless skin lined with trivial wrinkles. Her grey hair was arranged with precision, and her clothes looked excessively new and yet slightly old-fashioned. They were always black and tightly fitting, with an expensive glitter: she was the kind of woman who wore jet at breakfast. Lily had never seen her when she was not cuirassed in shining black, with small tight boots, and an air of being packed and ready to start; yet she never started.

Ο λογαριασμός που έρχεται ύστερα από χρόνια φιλοξενίας.

“What things? Well, poverty, for one—and I don’t know any that’s more dreadful.” Lily turned away and sank with sudden weariness into the easy-chair near the tea-table. “You asked me just now if I could understand why Ned Silverton spent so much money. Of course I understand—he spends it on living with the rich. You think we live on the rich, rather than with them: and so we do, in a sense—but it’s a privilege we have to pay for! We eat their dinners, and drink their wine, and smoke their cigarettes, and use their carriages and their opera-boxes and their private cars—yes, but there’s a tax to pay on every one of those luxuries.

Η στιγμή που καταλαβαίνεις πως κάποιος έχει αποφασίσει ποιος θέλει να είναι.

Scarcely three months had elapsed since he had parted from her on the threshold of the Brys’ conservatory; but a subtle change had passed over the quality of her beauty. Then it had had a transparency through which the fluctuations of the spirit were sometimes tragically visible; now its impenetrable surface suggested a process of crystallization which had fused her whole being into one hard brilliant substance. The change had struck Mrs. Fisher as a rejuvenation: to Selden it seemed like that moment of pause and arrest when the warm fluidity of youth is chilled into its final shape.

Η Λίλι παραδέχεται τον φόβο που δεν μπορεί να αποβάλει.

She was beginning to have fits of angry rebellion against fate, when she longed to drop out of the race and make an independent life for herself. But what manner of life would it be? She had barely enough money to pay her dressmakers’ bills and her gambling debts; and none of the desultory interests which she dignified with the name of tastes was pronounced enough to enable her to live contentedly in obscurity. Ah, no—she was too intelligent not to be honest with herself. She knew that she hated dinginess as much as her mother had hated it, and to her last breath she meant to fight against it, dragging herself up again and again above its flood till she gained the bright pinnacles of success which presented such a slippery surface to her clutch.

Οι γυναίκες που φτιάχνουν όμορφα πράγματα για τα πρόσωπα άλλων γυναικών.

There were twenty of them in the workroom, their fagged profiles, under exaggerated hair, bowed in the harsh north light above the utensils of their art; for it was something more than an industry, surely, this creation of ever-varied settings for the face of fortunate womanhood. Their own faces were sallow with the unwholesomeness of hot air and sedentary toil, rather than with any actual signs of want: they were employed in a fashionable millinery establishment, and were fairly well clothed and well paid; but the youngest among them was as dull and colourless as the middle-aged. In the whole workroom there was only one skin beneath which the blood still visibly played; and that now burned with vexation as Miss Bart, under the lash of the forewoman’s comment, began to strip the hat-frame of its overlapping spangles.

Η αριθμητική της γοητείας: πόση προσοχή αξίζει ένας πληκτικός άντρας;

It was not, after all, opportunity but imagination that he lacked: he had a mental palate which would never learn to distinguish between railway tea and nectar. There was, however, one topic she could rely on: one spring that she had only to touch to set his simple machinery in motion. She had refrained from touching it because it was a last resource, and she had relied on other arts to stimulate other sensations; but as a settled look of dullness began to creep over his candid features, she saw that extreme measures were necessary.

Πόσα τολμάς όταν έχεις κάποιον δίπλα σου;

When the tea came he watched her in silent fascination while her hands flitted above the tray, looking miraculously fine and slender in contrast to the coarse china and lumpy bread. It seemed wonderful to him that anyone should perform with such careless ease the difficult task of making tea in public in a lurching train. He would never have dared to order it for himself, lest he should attract the notice of his fellow-passengers; but, secure in the shelter of her conspicuousness, he sipped the inky draught with a delicious sense of exhilaration.

Διαλέγεις το τοπίο που ταιριάζει με το πώς θέλεις να νιώθεις.

Lily had no real intimacy with nature, but she had a passion for the appropriate and could be keenly sensitive to a scene which was the fitting background of her own sensations. The landscape outspread below her seemed an enlargement of her present mood, and she found something of herself in its calmness, its breadth, its long free reaches. On the nearer slopes the sugar-maples wavered like pyres of light; lower down was a massing of grey orchards, and here and there the lingering green of an oak-grove. Two or three red farmhouses dozed under the apple-trees, and the white wooden spire of a village church showed beyond the shoulder of the hill; while far below, in a haze of dust, the high road ran between the fields.

Το νοικοκυριό ως μετάνοια, ράφι το ράφι, με σαπούνι.

The first two weeks after her return represented to Mrs. Peniston the domestic equivalent of a religious retreat. She “went through” the linen and blankets in the precise spirit of the penitent exploring the inner folds of conscience; she sought for moths as the stricken soul seeks for lurking infirmities. The topmost shelf of every closet was made to yield up its secret, cellar and coal-bin were probed to their darkest depths and, as a final stage in the lustral rites, the entire house was swathed in penitential white and deluged with expiatory soapsuds.