Σελίδες από το «Short Fiction» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.
Τι χάνει ένα άγριο ζώο όταν λέμε σπίτι το κλουβί του.
“In a few cases only. Nothing will make me believe that an acre or so of concrete enclosure will make up to a wolf or a tiger-cat for the range of night prowling that would belong to it in a wild state. Think of the dictionary of sound and scent and recollection that unfolds before a real wild beast as it comes out from its lair every evening, with the knowledge that in a few minutes it will be hieing along to some distant hunting ground where all the joy and fury of the chase awaits it; think of the crowded sensations of the brain when every rustle, every cry, every bent twig, and every whiff across the nostrils means something, something to do with life and death and dinner.
— Short Fiction, Saki (1904)
Η ώρα που η αποτυχία μπορεί να κυκλοφορεί απαρατήρητη στους δρόμους.
The scene pleased Gortsby and harmonised with his present mood. Dusk, to his mind, was the hour of the defeated. Men and women, who had fought and lost, who hid their fallen fortunes and dead hopes as far as possible from the scrutiny of the curious, came forth in this hour of gloaming, when their shabby clothes and bowed shoulders and unhappy eyes might pass unnoticed, or, at any rate, unrecognised.
— Short Fiction, Saki (1904)
Οι κρυφές χαρές ενός παιδιού που έμαθε να κρύβει το μίσος του.
Mrs. de Ropp would never, in her honestest moments, have confessed to herself that she disliked Conradin, though she might have been dimly aware that thwarting him “for his good” was a duty which she did not find particularly irksome. Conradin hated her with a desperate sincerity which he was perfectly able to mask. Such few pleasures as he could contrive for himself gained an added relish from the likelihood that they would be displeasing to his guardian, and from the realm of his imagination she was locked out—an unclean thing, which should find no entrance.
— Short Fiction, Saki (1904)
Η γάτα μπορεί να πει δυνατά όσα όλοι κρύβουν.
The panic had indeed become general. A narrow ornamental balustrade ran in front of most of the bedroom windows at the Towers, and it was recalled with dismay that this had formed a favourite promenade for Tobermory at all hours, whence he could watch the pigeons—and heaven knew what else besides. If he intended to become reminiscent in his present outspoken strain the effect would be something more than disconcerting. Mrs. Cornett, who spent much time at her toilet table, and whose complexion was reputed to be of a nomadic though punctual disposition, looked as ill at ease as the Major. Miss Scrawen, who wrote fiercely sensuous poetry and led a blameless life, merely displayed irritation; if you are methodical and virtuous in private you don’t necessarily want everyone to know it.
— Short Fiction, Saki (1904)
Ο βολικός σοσιαλισμός μιας γυναίκας που τα χρήματά της θα κρατήσουν περισσότερο από τις αρχές της.
Sophie Chattel-Monkheim was a Socialist by conviction and a Chattel-Monkheim by marriage. The particular member of that wealthy family whom she had married was rich, even as his relatives counted riches. Sophie had very advanced and decided views as to the distribution of money: it was a pleasing and fortunate circumstance that she also had the money. When she inveighed eloquently against the evils of capitalism at drawing-room meetings and Fabian conferences she was conscious of a comfortable feeling that the system, with all its inequalities and iniquities, would probably last her time. It is one of the consolations of middle-aged reformers that the good they inculcate must live after them if it is to live at all.
— Short Fiction, Saki (1904)
Το χριστουγεννιάτικο δώρο που λύνει μαζί το πρόβλημα των διπλών δώρων και της θεολογίας.
Personally, I can’t see where the difficulty in choosing suitable presents lies. No boy who had brought himself up properly could fail to appreciate one of those decorative bottles of liqueurs that are so reverently staged in Morel’s window—and it wouldn’t in the least matter if one did get duplicates. And there would always be the supreme moment of dreadful uncertainty whether it was crême de menthe or Chartreuse—like the expectant thrill on seeing your partner’s hand turned up at bridge. People may say what they like about the decay of Christianity; the religious system that produced green Chartreuse can never really die.
— Short Fiction, Saki (1904)
Ένα ροδάκινο μένει στη μνήμη περισσότερο από μια δούκισσα.
“How nice of you to remember my aunt when you can no longer recall the names of the things you ate. Now my memory works quite differently. I can remember a menu long after I’ve forgotten the hostess that accompanied it. When I was seven years old I recollect being given a peach at a garden-party by some duchess or other; I can’t remember a thing about her, except that I imagine our acquaintance must have been of the slightest, as she called me a ‘nice little boy,’ but I have unfading memories of that peach. It was one of those exuberant peaches that meet you halfway, so to speak, and are all over you in a moment. It was a beautiful unspoiled product of a hothouse, and yet it managed quite successfully to give itself the airs of a compote.
— Short Fiction, Saki (1904)
Η στιγμή που το ζώο που κυνηγούν αποφασίζει να σε εμπιστευτεί.
“The hyaena hailed our approach with unmistakable relief and demonstrations of friendliness. It had probably been accustomed to uniform kindness from humans, while its first experience of a pack of hounds had left a bad impression. The hounds looked more than ever embarrassed as their quarry paraded its sudden intimacy with us, and the faint toot of a horn in the distance was seized on as a welcome signal for unobtrusive departure. Constance and I and the hyaena were left alone in the gathering twilight.
— Short Fiction, Saki (1904)
Ο ήρεμος χαρτοπαίκτης που πιστεύει πως μπορεί να αγριέψει.
Rupert stared gloomily across at him as he sat smiling and fumbling with his cards. Many men who have good brains for business do not possess the rudiments of a card-brain, and Rupert would not have judged and condemned his prospective brother-in-law on the evidence of his bridge play alone. The tragic part of it was that he smiled and fumbled through life just as fatuously and apologetically as he did at the card-table. And behind the defensive smile and the well-worn expressions of regret there shone a scarcely believable but quite obvious self-satisfaction. Every sheep of the pasture probably imagines that in an emergency it could become terrible as an army with banners—one has only to watch how they stamp their feet and stiffen their necks when a minor object of suspicion comes into view and behaves meekly.
— Short Fiction, Saki (1904)
Ο φίλος που κουτσομπολεύει τόσο καλά, που του συγχωρείς το δηλητήριο.
Laploshka was one of the meanest men I have ever met, and quite one of the most entertaining. He said horrid things about other people in such a charming way that one forgave him for the equally horrid things he said about oneself behind one’s back. Hating anything in the way of ill-natured gossip ourselves, we are always grateful to those who do it for us and do it well. And Laploshka did it really well.
Η Αγγλία της Εδουαρδιανής εποχής από μια απρόσμενη πλευρά: μια γάτα που μιλά, ένας θεός που υπάρχει μόνο στη φαντασία ενός παιδιού και μια σοσιαλίστρια που απολαμβάνει τα χρήματά της. Το πνεύμα του Σάκι είναι κοφτερό σαν νυστέρι και κρύβει ένα χαμόγελο.
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