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Αποσπάσματα από το «Short Fiction»

Σελίδες από το «Short Fiction» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Η υπόσχεση της πρώτης αγάπης δεν κρατά για πάντα.

Whether he kissed her once or several times he could not afterward remember, though it must have been an hour that they sat there close together and he held her hand. What surprised him most about making love was that it seemed to have no element of wild passion—regret, desire, despair—but a delirious promise of such happiness in the world, in living, as he had never known. First love—this was only first love! What must love itself in its fullness, its perfection be. He did not know that what he was experiencing then, that unreal, undesirous medley of ecstasy and peace, would be unrecapturable forever.
— Short Fiction, F. Scott Fitzgerald (1920)

Τα τελευταία λεπτά πριν ξημερώσει και αλλάξουν όλα.

And then dawn slanted dynamically across the deck and flung the shadows reeling into gray corners. The dew rose and turned to golden mist, thin as a dream, enveloping them until they seemed gossamer relics of the late night, infinitely transient and already fading. For a moment sea and sky were breathless, and dawn held a pink hand over the young mouth of life—then from out in the lake came the complaint of a rowboat and the swish of oars.
— Short Fiction, F. Scott Fitzgerald (1920)

Η σιωπή δύο ανθρώπων που έπαψαν να περιμένουν κάτι ο ένας από τον άλλον.

As in most families whose fortunes have gone down rather than up, she and Harold had drifted into a colorless antagonism. In repose they looked at each other with the toleration they might have felt for broken old chairs; Evylyn worried a little when he was sick and did her best to be cheerful under the wearying depression of living with a disappointed man.
— Short Fiction, F. Scott Fitzgerald (1920)

Πώς μοιάζει η αφοσίωση όταν η ελπίδα έχει πια σβήσει.

After that hope died. Had it not been for her unceasing care the last spark would have gone long before. Every morning she shaved and bathed him, shifted him with her own hands from bed to chair and back to bed. She was in his room constantly, bearing medicine, straightening a pillow, talking to him almost as one talks to a nearly human dog, without hope of response or appreciation, but with the dim persuasion of habit, a prayer when faith has gone.
— Short Fiction, F. Scott Fitzgerald (1920)

Η συνήθεια να συγκρίνεις το σήμερα με ένα μέλλον που δεν έχει έρθει.

He was enjoying himself as much as he was able. It is youth’s felicity as well as its insufficiency that it can never live in the present, but must always be measuring up the day against its own radiantly imagined future—flowers and gold, girls and stars, they are only prefigurations and prophecies of that incomparable, unattainable young dream.
— Short Fiction, F. Scott Fitzgerald (1920)

Η ενηλικίωση αρχίζει όταν ακούς κάτι που δεν προοριζόταν για σένα.

Basil got to his feet and hurried down the corridor, through the lobby and out of the hotel. He was in a state of wild emotional confusion. He did not understand all he had heard, but from his clandestine glimpse into the privacy of these two, with all the world that his short experience could conceive of at their feet, he had gathered that life for everybody was a struggle, sometimes magnificent from a distance, but always difficult and surprisingly simple and a little sad.
— Short Fiction, F. Scott Fitzgerald (1920)

Μια ομορφιά που οι άλλοι προσπαθούν να αποτυπώσουν, αλλά δεν τα καταφέρνουν.

Lois got out of a bus into the sunshine down by the outer gate. She was nineteen with yellow hair and eyes that people were tactful enough not to call green. When men of talent saw her in a streetcar they often furtively produced little stub-pencils and backs of envelopes and tried to sum up that profile or the thing that the eyebrows did to her eyes. Later they looked at their results and usually tore them up with wondering sighs.
— Short Fiction, F. Scott Fitzgerald (1920)

Τέσσερις το πρωί, όταν η δουλειά και η τρέλα αρχίζουν να μοιάζουν.

Voyaging to the bathroom at half-past four, he saw with a shock that morning was already blue at the window. He had stayed up all night. He remembered that people who stayed up all night went crazy, and transfixed in the hall, he tried agonizingly to listen to himself, to feel whether or not he was going crazy. The things around him seemed preternaturally unreal, and rushing frantically back into his bedroom, he began tearing off his clothes, racing after the vanishing night.
— Short Fiction, F. Scott Fitzgerald (1920)

Η άφιξη μιας γυναίκας που μοιάζει να την περίμενε όλο το λιμάνι.

Tap! Her one hundred and five pounds reached the pier and it seemed to sway and bend from the shock of her beauty. A few porters fainted. A large, sentimental shark which had followed the ship across made a despairing leap to see her once more, and then dove, brokenhearted, back into the deep sea. Rags Martin-Jones had come home.
— Short Fiction, F. Scott Fitzgerald (1920)

Οι χοροί μετρούν τη δημοτικότητα μιας κοπέλας.

No matter how beautiful or brilliant a girl may be, the reputation of not being frequently cut in on makes her position at a dance unfortunate. Perhaps boys prefer her company to that of the butterflies with whom they dance a dozen times an evening, but youth in this jazz-nourished generation is temperamentally restless, and the idea of foxtrotting more than one full fox trot with the same girl is distasteful, not to say odious. When it comes to several dances and the intermissions between she can be quite sure that a young man, once relieved, will never tread on her wayward toes again.
— Short Fiction, F. Scott Fitzgerald (1920)

Short Fiction

F. Scott Fitzgerald, 1920

Στα διηγήματά του ο Φιτζέραλντ δοκίμασε τα πάντα: κωμωδία της εποχής της τζαζ, έναν άντρα που γεννήθηκε γέρος, τον πρώτο έρωτα, μια κοπέλα που κόβει κοντά τα μαλλιά της — όλα σε είκοσι σελίδες ή λιγότερο.

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