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Αποσπάσματα από το «Middlemarch»

Σελίδες από το «Middlemarch» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves: Dorothea had early begun to emerge from that stupidity, but yet it had been easier to her to imagine how she would devote herself to Mr. Casaubon, and become wise and strong in his strength and wisdom, than to conceive with that distinctness which is no longer reflection but feeling—an idea wrought back to the directness of sense, like the solidity of objects—that he had an equivalent centre of self, whence the lights and shadows must always fall with a certain difference.
— Middlemarch, George Eliot (1872)
Lydgate, certain that his patient wished to be alone, soon left him; and the black figure with hands behind and head bent forward continued to pace the walk where the dark yew-trees gave him a mute companionship in melancholy, and the little shadows of bird or leaf that fleeted across the isles of sunlight, stole along in silence as in the presence of a sorrow. Here was a man who now for the first time found himself looking into the eyes of death—who was passing through one of those rare moments of experience when we feel the truth of a commonplace, which is as different from what we call knowing it, as the vision of waters upon the earth is different from the delirious vision of the water which cannot be had to cool the burning tongue.
— Middlemarch, George Eliot (1872)
As he threw down his book, stretched his legs towards the embers in the grate, and clasped his hands at the back of his head, in that agreeable afterglow of excitement when thought lapses from examination of a specific object into a suffusive sense of its connections with all the rest of our existence—seems, as it were, to throw itself on its back after vigorous swimming and float with the repose of unexhausted strength—Lydgate felt a triumphant delight in his studies, and something like pity for those less lucky men who were not of his profession.
— Middlemarch, George Eliot (1872)
He had not had much foretaste of happiness in his previous life. To know intense joy without a strong bodily frame, one must have an enthusiastic soul. Mr. Casaubon had never had a strong bodily frame, and his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying. His experience was of that pitiable kind which shrinks from pity, and fears most of all that it should be known: it was that proud narrow sensitiveness which has not mass enough to spare for transformation into sympathy, and quivers threadlike in small currents of self-preoccupation or at best of an egoistic scrupulosity.
— Middlemarch, George Eliot (1872)
Dorothea sat almost motionless in her meditative struggle, while the evening slowly deepened into night. But the struggle changed continually, as that of a man who begins with a movement towards striking and ends with conquering his desire to strike. The energy that would animate a crime is not more than is wanted to inspire a resolved submission, when the noble habit of the soul reasserts itself.
— Middlemarch, George Eliot (1872)
If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by the earthquakes, but they probably see beyond each shock, and reflect that there are plenty more to come.
— Middlemarch, George Eliot (1872)
There are natures in which, if they love us, we are conscious of having a sort of baptism and consecration: they bind us over to rectitude and purity by their pure belief about us; and our sins become that worst kind of sacrilege which tears down the invisible altar of trust. “If you are not good, none is good”—those little words may give a terrific meaning to responsibility, may hold a vitriolic intensity for remorse.
— Middlemarch, George Eliot (1872)
The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it.
— Middlemarch, George Eliot (1872)
Mrs. Garth, with her sleeves turned above her elbows, deftly handling her pastry—applying her rolling-pin and giving ornamental pinches, while she expounded with grammatical fervor what were the right views about the concord of verbs and pronouns with “nouns of multitude or signifying many,” was a sight agreeably amusing. She was of the same curly-haired, square-faced type as Mary, but handsomer, with more delicacy of feature, a pale skin, a solid matronly figure, and a remarkable firmness of glance. In her snowy-frilled cap she reminded one of that delightful Frenchwoman whom we have all seen marketing, basket on arm. Looking at the mother, you might hope that the daughter would become like her, which is a prospective advantage equal to a dowry—the mother too often standing behind the daughter like a malignant prophecy—“Such as I am, she will shortly be.”
— Middlemarch, George Eliot (1872)
When the animals entered the Ark in pairs, one may imagine that allied species made much private remark on each other, and were tempted to think that so many forms feeding on the same store of fodder were eminently superfluous, as tending to diminish the rations. (I fear the part played by the vultures on that occasion would be too painful for art to represent, those birds being disadvantageously naked about the gullet, and apparently without rites and ceremonies.)
— Middlemarch, George Eliot (1872)

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