Αποσπάσματα από το «Απομνημονεύματα ενός επαναστάτη»
Σελίδες από το «Απομνημονεύματα ενός επαναστάτη» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.
Πόσο κοστίζει σε ψωμί των άλλων η ζωή του νου;
But what right had I to these highest joys, when all around me was nothing but misery and struggle for a mouldy bit of bread; when whatsoever I should spend to enable me to live in that world of higher emotions must needs be taken from the very mouths of those who grew the wheat and had not bread enough for their children? From somebody’s mouth it must be taken, because the aggregate production of mankind remains still so low.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Για τους περισσότερους, η γνώση δεν θέλει εξυπνάδα αλλά χρόνο.
There, on the crest of that immense moraine which runs between the lakes, as if giants had heaped it up in a hurry to connect the two shores, there stands a Finnish peasant plunged in contemplation of the beautiful lakes, studded with islands, which lie before him. Not one of these peasants, poor and downtrodden though they may be, will pass this spot without stopping to admire the scene. Or there, on the shore of a lake, stands another peasant, and sings something so beautiful that the best musician would envy him his melody, for its feeling and its meditative power. Both deeply feel, both meditate, both think; they are ready to widen their knowledge—only give it to them, only give them the means of getting leisure.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Μεγάλα λόγια για το κοινό καλό, κι από κάτω ο καθένας λογαριάζει πώς θα προστατευτεί.
New Year’s Day of 1874, the last I spent in Russia at liberty, is especially memorable to me. The previous evening I had been in a choice company. Inspiring, noble words were spoken that night about the citizen’s duties, the well-being of the country, and the like. But underneath all the thrilling speeches one note sounded: How could each of the speakers preserve his own personal well-being? Yet no one had the courage to say, frankly and openly, that he was ready to do only that which would not endanger his own dovecote. Sophisms—no end of sophisms—about the slowness of evolution, the inertia of the lower classes, the uselessness of sacrifice, were uttered to justify the unspoken words, all intermingled with assurances of each one’s willingness to make sacrifices. I returned home, seized suddenly with profound sadness amid all this talk.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Ακόμα και στην απομόνωση, οι κρατούμενοι βρίσκουν τρόπο να επικοινωνούν.
He preferred isolation to life in a room with a dozen others, and so went to a cell. To his great astonishment he found that he was not at all alone. The walls and the keyholes spoke. In a short time all the inmates of the cells knew who he was, and he had acquaintances all over the building. Quite a life goes on, as in a beehive, between the seemingly isolated cells; only that life often takes such a character as to make it belong entirely to the domain of psychopathy. Kraft-Ebbing himself had no idea of the aspects it assumes with certain prisoners in solitary confinement.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Ένας γάμος που δείχνει ποιος ορίζει τη ζωή των άλλων.
Half an hour later, the small bells of the nuptial processions resounded at the gate of the mansion. The five couples alighted from the cars, crossed the yard, and entered the hall. The landlord received them, offering them glasses of wine, while the parents, standing behind the crying daughters, ordered them to bow to the earth before their lord.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Ο τελευταίος συνηθισμένος ουρανός, πριν από έναν δρόμο χωρίς επιστροφή.
I admired the beautiful river, knowing that I should not soon see it again. The sun was going down. Thick gray clouds were hanging in the west above the Gulf of Finland, while light clouds floated over my head, showing here and there patches of blue sky. Then the carriage turned to the left and entered a dark arched passage, the gate of the fortress.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Πώς μια ιδέα που όλοι θεωρούσαν νεκρή επιστρέφει ξαφνικά.
Our beginnings were ridiculously small. Half a dozen of us used to meet in cafés, and when we had an audience of a hundred persons at a meeting we felt happy. No one would have guessed then that two years later the movement would be in full swing. But France has its own ways of development. When a reaction has gained the upper hand, all visible traces of a movement disappear. Those who fight against the current are few. But in some mysterious way, by a sort of invisible infiltration of ideas, the reaction is undermined; a new current sets in, and then it appears, all of a sudden, that the idea which was thought to be dead was there alive, spreading and growing all the time; and as soon as public agitation becomes possible, thousands of adherents, whose existence nobody suspected, come to the front.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Μια γενιά που αποφάσισε πως η ευγένεια ήταν ένα είδος ψέματος.
The life of civilized people is full of little conventional lies. Persons who hate each other, meeting in the street, make their faces radiant with a happy smile; the nihilist remained unmoved, and smiled only for those whom he was really glad to meet. All those forms of outward politeness which are mere hypocrisy were equally repugnant to him, and he assumed a certain external roughness as a protest against the smooth amiability of his fathers. He saw them wildly talking as idealist sentimentalists, and at the same time acting as real barbarians toward their wives, their children, and their serfs; and he rose in revolt against that sort of sentimentalism which, after all, so nicely accommodated itself to the anything but ideal conditions of Russian life. Art was involved in the same sweeping negation.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Μια ήσυχη φωνή κάνει τα ανήσυχα αγόρια να πλησιάσουν.
Professor Klasóvsky’s first lesson was a revelation to us. He was a small man, about fifty years of age, very rapid in his movements, with bright, intelligent eyes and a slightly sarcastic expression, and the high forehead of a poet. When he came in for his first lesson, he said in a low voice that, suffering from a protracted illness, he could not speak loud enough, and asked us, therefore, to sit closer to him. He placed his chair near the first row of tables, and we clustered round him like a swarm of bees.
— Απομνημονεύματα ενός επαναστάτη, Peter Kropotkin (1899)
Ένας πρίγκιπας που εκπαιδεύεται στη γεωγραφία εγκαταλείπει την αυλή, την καριέρα και την κληρονομιά του για να οργανωθεί με τους εργάτες. Έτσι γνωρίζει την εξουσία κι από τις δυο πλευρές του τείχους.
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