Δουβλινέζοι
James Joyce, 1914
Δεκαπέντε σύντομες ιστορίες για απλούς κατοίκους του Δουβλίνου, από τον πρώτο έρωτα ενός αγοριού μέχρι ένα πάρτι που τελειώνει με μια ήσυχη ανατροπή. Η ακρίβεια της γραφής κάνει τις μικρές ζωές να μοιάζουν τεράστιες.
Σελίδες από το «Δουβλινέζοι» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.
Τι σημαίνει να αγαπάς κάποιον με τον οποίο σχεδόν δεν έχεις μιλήσει;
Every morning I lay on the floor in the front parlour watching her door. The blind was pulled down to within an inch of the sash so that I could not be seen. When she came out on the doorstep my heart leaped. I ran to the hall, seized my books and followed her. I kept her brown figure always in my eye and, when we came near the point at which our ways diverged, I quickened my pace and passed her. This happened morning after morning. I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood. Η ώρα που όλο σου το σώμα θέλει να χαθεί μέσα στον πόθο.
One evening I went into the back drawing-room in which the priest had died. It was a dark rainy evening and there was no sound in the house. Through one of the broken panes I heard the rain impinge upon the earth, the fine incessant needles of water playing in the sodden beds. Some distant lamp or lighted window gleamed below me. I was thankful that I could see so little. All my senses seemed to desire to veil themselves and, feeling that I was about to slip from them, I pressed the palms of my hands together until they trembled, murmuring: “O love! O love!” many times. Η οικειότητα μεγαλώνει, κι εκείνος ακούει μέσα του πως κανείς δεν μπορεί να δοθεί σε κάποιον άλλο.
Little by little, as their thoughts entangled, they spoke of subjects less remote. Her companionship was like a warm soil about an exotic. Many times she allowed the dark to fall upon them, refraining from lighting the lamp. The dark discreet room, their isolation, the music that still vibrated in their ears united them. This union exalted him, wore away the rough edges of his character, emotionalised his mental life. Sometimes he caught himself listening to the sound of his own voice. He thought that in her eyes he would ascend to an angelical stature; and, as he attached the fervent nature of his companion more and more closely to him, he heard the strange impersonal voice which he recognised as his own, insisting on the soul’s incurable loneliness. We cannot give ourselves, it said: we are our own. Βλέπει τη γυναίκα του σαν πίνακα, πριν την αντικρίσει πραγματικά.
He stood still in the gloom of the hall, trying to catch the air that the voice was singing and gazing up at his wife. There was grace and mystery in her attitude as if she were a symbol of something. He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter. Ένας άντρας που σκέφτεται να ληστέψει την τράπεζά του, μόνο στα λόγια.
He had neither companions nor friends, church nor creed. He lived his spiritual life without any communion with others, visiting his relatives at Christmas and escorting them to the cemetery when they died. He performed these two social duties for old dignity’s sake but conceded nothing further to the conventions which regulate the civic life. He allowed himself to think that in certain circumstances he would rob his bank but, as these circumstances never arose, his life rolled out evenly—an adventureless tale. Ένας νευρικός άντρας στο τραπέζι φαντάζεται τον καθαρό, κρύο αέρα έξω.
The patting at once grew louder in encouragement and then ceased altogether. Gabriel leaned his ten trembling fingers on the tablecloth and smiled nervously at the company. Meeting a row of upturned faces he raised his eyes to the chandelier. The piano was playing a waltz tune and he could hear the skirts sweeping against the drawing-room door. People, perhaps, were standing in the snow on the quay outside, gazing up at the lighted windows and listening to the waltz music. The air was pure there. In the distance lay the park where the trees were weighted with snow. The Wellington Monument wore a gleaming cap of snow that flashed westward over the white field of Fifteen Acres. Ένας γάμος για να σωπάσουν οι φίλες της.
Miss Devlin had become Mrs Kearney out of spite. She had been educated in a high-class convent, where she had learned French and music. As she was naturally pale and unbending in manner she made few friends at school. When she came to the age of marriage she was sent out to many houses where her playing and ivory manners were much admired. She sat amid the chilly circle of her accomplishments, waiting for some suitor to brave it and offer her a brilliant life. But the young men whom she met were ordinary and she gave them no encouragement, trying to console her romantic desires by eating a great deal of Turkish Delight in secret. However, when she drew near the limit and her friends began to loosen their tongues about her, she silenced them by marrying Mr Kearney, who was a bootmaker on Ormond Quay. Τα ποιήματα στο ράφι, κι ο άνθρωπος στον οποίο δεν τα διάβασε ποτέ.
He remembered the books of poetry upon his shelves at home. He had bought them in his bachelor days and many an evening, as he sat in the little room off the hall, he had been tempted to take one down from the bookshelf and read out something to his wife. But shyness had always held him back; and so the books had remained on their shelves. At times he repeated lines to himself and this consoled him. Η πόλη δουλεύει κι εμείς καθόμαστε, ενώ οι φορτηγίδες αφήνουν πίσω τους καπνό.
We came then near the river. We spent a long time walking about the noisy streets flanked by high stone walls, watching the working of cranes and engines and often being shouted at for our immobility by the drivers of groaning carts. It was noon when we reached the quays and, as all the labourers seemed to be eating their lunches, we bought two big currant buns and sat down to eat them on some metal piping beside the river. We pleased ourselves with the spectacle of Dublin’s commerce—the barges signalled from far away by their curls of woolly smoke, the brown fishing fleet beyond Ringsend, the big white sailing-vessel which was being discharged on the opposite quay. Ένα ζεστό κυριακάτικο βράδυ, κι όλη η πόλη βουίζει.
The grey warm evening of August had descended upon the city and a mild warm air, a memory of summer, circulated in the streets. The streets, shuttered for the repose of Sunday, swarmed with a gaily coloured crowd. Like illumined pearls the lamps shone from the summits of their tall poles upon the living texture below which, changing shape and hue unceasingly, sent up into the warm grey evening air an unchanging unceasing murmur. James Joyce, 1914
Δεκαπέντε σύντομες ιστορίες για απλούς κατοίκους του Δουβλίνου, από τον πρώτο έρωτα ενός αγοριού μέχρι ένα πάρτι που τελειώνει με μια ήσυχη ανατροπή. Η ακρίβεια της γραφής κάνει τις μικρές ζωές να μοιάζουν τεράστιες.
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