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Αποσπάσματα από το «Κόντρα στο ρεύμα»

Σελίδες από το «Κόντρα στο ρεύμα» που στέκονται μόνες τους, διαλεγμένες για το πώς διαβάζονται σήμερα. Το κείμενο ανήκει στο κοινό κτήμα.

Πόση διακόσμηση αντέχει μια μικρή ζωή;

It still lay quite still; he touched it, it was dead. Accustomed no doubt to a sedentary life, an uneventful existence spent under its humble carapace, it had not been able to support the dazzling splendour imposed on it, the glittering garment in which it had been clad, the pavement of precious stones wherewith they had inlaid its poor back like a jewelled pyx.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Η σιωπή που διάλεξες, όταν αρχίζει να μοιάζει με κελί.

Once more, this solitude he had so ardently desired and won at last had resulted in poignant distress; this silence that had once appealed to him as a consolation for all the fools’ chatter he had listened to for years, now weighed upon him with an intolerable burden. One morning, he had awoke as frenzied in mind as a man who finds himself locked up in a prison cell; his trembling lips moved to cry out, but no sound came, tears rose to his eyes, he felt choked like one who has been sobbing bitterly for hours.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Οι συνηθισμένες υφές και οι ήχοι που κάνουν το σώμα να ανατριχιάζει.

Since his earliest childhood he had been tormented by inexplicable repulsions, shuddering spasms that froze his backbone and clenched his teeth, whenever, for instance, he saw a servant-maid in the act of wringing out wet linen. These instinctive dislikes had never changed, and to that day it caused him genuine suffering to hear a piece of stuff torn in two, to rub his finger over a lump of chalk, to stroke the surface of watered silk.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Ένα λικέρ με γεύση μοναστηριού και παιδικής ηλικίας.

Under this full monastic habit, certified by a cross and certain ecclesiastical initial letters—P.O.M., within these parchments and bands that guarded it like an authentic charter, slumbered a saffron-coloured liquor of an exquisite delicacy. It distilled an aroma of the quintessence of angelica and hyssop mingled with seashore herbs rich in iodines and bromines disguised by sugary matters; it stimulated the palate with a spirituous heat dissimulated under a toothsomeness altogether virginal and innocent; flattered the nose with a smack of rankness enwrapped in a soothing savour at once childlike and pious.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Ένα βιβλίο σαν ιδιωτικό γεύμα για λίγους άγνωστους.

The novel, thus conceived, thus condensed in a page or two, would become a communion, an interchange of thought between a magic-working author and an ideal reader, a mental collaboration by consent between half a score persons of superior intellect scattered up and down the world, a delectable feast for epicures and appreciable by them only.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Η μοναξιά πρώτα σε ξυπνά και ύστερα σε αποκοιμίζει.

He lived on himself, fed on his own substance, like those hibernating animals that lie torpid in a hole all the winter; solitude had acted on his brain as a narcotic. At first, it had nerved and stimulated him, but its later effect was a somnolence haunted by vague reveries; it checked all his plans, broke down his will, led him through a long procession of dreams which he accepted with passive endurance without even an attempt to escape them.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Όσο περισσότεροι αγαπούν ένα έργο, τόσο λιγότερο το απολαμβάνει

This diffusion of appreciation among the common herd was in fact one of the sorest trials of his life; unaccountable triumphs had forever spoilt his enjoyment in pictures and books he had once held dear; the approbation of the general voice always ended by making him discover some hitherto imperceptible blemish, and he would repudiate them, asking himself if his taste was not getting blunted and untrustworthy.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Πώς οι άνθρωποι κάνουν μια πόλη αφόρητη.

Worst of all, he loathed with all his powers of hate the new types of self-made men, the hideous boors who feel themselves bound to talk loud and laugh uproariously in restaurants and cafés, who elbow you, without apology, on the pavements, who, without a word of polite excuse or so much as a bow, drive the wheels of a child’s go-cart between your legs.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Η νύχτα μέσα από το βλέμμα κάποιου που δυσπιστεί απέναντι στον ρομαντισμό.

The plain lay partly in the shadows cast by the hills, while the centre, where the moonlight fell, looked as if it were powdered with starch and smeared with cold-cream; in the warm air that fanned the pale grass and brought with it a spicy perfume, the trees stood out clearly silhouetted with their shaggy leaves and thin stems, which threw black bars of shadow across the chalky earth strewed with pebbles that sparkled like shards of broken crockery.
— Κόντρα στο ρεύμα, J.-K. Huysmans (1884)

Κόντρα στο ρεύμα

J.-K. Huysmans, 1884

Ένας κορεσμένος από τη ζωή αριστοκράτης χτίζει ένα σπίτι μόνο για τον εαυτό του, το γεμίζει με κοσμήματα, λικέρ και παράξενα βιβλία και προσπαθεί να ζήσει αποκλειστικά με τις αισθήσεις του.

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